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The site also offers courses in adobe photoshop, illustrator, gimp, Image editing and drawing, 3D computer graphics and many other tutorials. You have to come and see our Graphics. You will find your happiness without problem! This book is made for students who would like to learn the basics of the three primary Adobe design applications.
Adobe Fonts is included with your Creative Cloud subscription. Internet access is required to activate Adobe Fonts. Online content Your purchase of this Classroom in a Book includes online materials provided by way of your Account page on adobepress.
These include: Lesson files To work through the projects in this book, you will need to download the lesson files by following the instructions below. Web Edition The Web Edition is an online interactive version of the book providing an enhanced learning experience.
Click the Access Bonus Content link below the title of your product to proceed to the download page. Click the lesson file link s to download them to your computer. Click the Launch link to access the product. To ensure that the preferences and default settings of your Adobe InDesign program match those used in this book, move the current InDesign Defaults file to a different location before you begin working on the lessons.
When you have finished the book, you can return the saved InDesign Defaults file to its original folder, which restores the preferences and default settings used before you started working on the lessons.
Moving the current InDesign Defaults file Moving the InDesign Defaults file to another location prompts InDesign to automatically create a new one with all preferences and defaults set to their original factory settings. Otherwise, you can delete the file. The preferences file is created after you launch the program the first time and is updated thereafter.
Only the commands and options used in the lessons are explained in this book. For comprehensive information about program features and tutorials, refer to these resources: periodically provides updates to software. You can easily obtain these updates through Creative Cloud. Adobe Support Community: community. Adobe InDesign product home page: adobe. Adobe Add-ons: creative. Resources for educators: adobe. Find solutions for education at all levels, including free curricula that use an integrated approach to teaching Adobe software and can be used to prepare for the Adobe Certified Associate exams.
A directory of AATCs is available at learning. Use the Application bar and Control panel. This lesson will take about 45 minutes to complete. To get the lesson files used in this chapter, download them from the web page for this book at www. The intuitive Adobe InDesign interface makes it easy to create compelling layouts. It is important to understand the InDesign work area to make the most of its powerful layout and design capabilities. The customizable work area consists of the document window, menus, pasteboard, Tools panel, and other panels, such as the Properties panel.
The lesson file represents the final version of the document—you will not make permanent changes to objects, add graphics, or modify text. You will use this document only to explore the InDesign work area. The InDesign Home screen displays. Interface elements such as panels and dialog boxes will be darker on your screen if you are using the default interface. You will learn to change this interface preference later in the lesson.
By default, InDesign shows tools and panels available in the Essentials workspace. You can customize the InDesign work area to suit your work style. For example, you can choose to display only the panels you frequently use, minimize and rearrange panel groups, resize windows, and so on.
By default you will see the: you open a document, rich tool tips appear next to panels in the work area, and the Learn panel displays. The Tools panel contains tools for creating and modifying page objects, adding and formatting text and images, and working with color.
By default, the Tools panel is docked to the upper-left corner of the work area. In this exercise, you will select and experiment with several tools. Using the Selection tool The Selection tool lets you move and resize objects, and it lets you select objects for formatting, such as resizing the object.
Here, you will click to select the Selection tool. Later, you will experiment with other methods of selecting tools. Tool Tips settings are found under the Cursor and Gesture Options. In addition to viewing information in this panel, you can make adjustments to selected objects. The page contains another image in a graphics frame, a rectangular text frame, and an elliptical text frame.
Undo each move immediately after you do it. Introducing the Workspace Using the Type tool Now you will switch to the Type tool, which lets you enter, edit, and format text. Rather than clicking to select it, you will use its keyboard shortcut. The letter shown in parentheses indicates a single-letter keyboard shortcut for selecting this tool.
In this case, the letter is T. Undo each change immediately after you do so. InDesign and experiment with layouts, remember that you can undo as many changes as you want. Once you have experimented with the Line tool, you will select the Hand tool temporarily by holding its keyboard shortcut: H. When you release the keyboard shortcut, InDesign reverts to the previously selected tool. This technique is useful for quickly using a tool—for example, you might use the Hand tool to move to another area of a page and then create a line there.
While you hold the H key, the Hand tool is selected. When you release the H key, the Line tool remains selected. Using the Rectangle Frame tool and the Ellipse Frame tool So far, you have selected tools that display on the Tools panel in three ways: 1 clicking them, 2 pressing a keyboard shortcut, and 3 holding a keyboard shortcut to select the tool temporarily. Now, you will select a tool that is not visible on the Tools panel.
A small triangle in the lower-right corner of a tool indicates a menu of additional hidden tools. The triangle indicates a menu of additional tools. In this exercise, you will create frames by selecting and using the Rectangle Frame tool and then the Ellipse Frame tool.
You would create these frames to contain imported graphics and text. Click and drag to create a rectangular graphics frame. Alt-click Windows or Option-click macOS a tool in the Tools panel to alternate between the tools in a menu. This is the default tool that displays. In this exercise, you will switch to the Advanced workspace to view the Control panel, which displays immediately below the Application bar and offers quick access to full options for editing selected objects.
As with the Properties panel, the Control panel is context sensitive, which means it displays settings based on what you have selected on the page. Additionally, the Control panel displays more or less settings depending on the size of your screen. The Control panel across the top provides options for controlling the position, size, and other attributes of the selected object a graphics frame.
Now, you will look at the pasteboard and review features on the document window. You can still see how the pasteboard can serve as a storage area. Working with multiple document windows When you open multiple documents, each document displays in its own tab of the main document window. You can also open multiple windows for a single document so you can see different parts of the layout at one time.
The techniques you use here for arranging document windows can be used with different views of the same document and for any other open documents. Click the Arrange Documents button to see all the options. Notice the change in both windows. This creates a tab for each window. You will soon find out which panels you use the most, where you like to keep them, and what size is best for your needs. InDesign provides many panels that provide quick access to commonly used tools and features.
By default, various useful panels are docked at the right side of the screen. The panels that display are different depending on the selected workspace, and each workspace remembers its panel configuration. You can reorganize panels in various ways. Opening and closing panels To display a hidden panel, choose the panel name from the Window menu or a submenu of the Window menu. Various text-formatting panels are available in the Type menu as well.
If the panel name has a check mark, it is already open and in front of any other panels in its panel group. In this exercise, you will open, use, and close the Info panel, which provides feedback about anything you select in the document.
Clicking a panel icon is handy if you want to open a panel, use it briefly, and then close it. The Pages panel icon arrow button expands and collapses panels. Drag the left edge of the panel dock to collapse the panels into icons. The panels are collapsed into icons. Then, you will drag another panel into that panel to create a custom panel group.
You will also ungroup the panels, stack them, and minimize them. You will detach this from the dock to create a floating panel. This removes the panel from the dock. Now you will add the Character Styles panel to the floating Paragraph Styles panel to create a panel group.
Character Styles and Paragraph Styles panels can be helpful for formatting text. You can put this panel group in a handy location while leaving the remaining panels collapsed and out of the way. Drag its tab into the gray area to the right of the Paragraph Styles panel tab. Release the mouse button when a blue line appears. To minimize or maximize a floating panel, double-click the panel name, or click the double arrow to the left of the panel name.
The panels are now stacked rather than grouped. Stacked panels attach vertically to each other. You can move the panels as a unit by dragging the topmost title bar. Double-click the area again to expand the panels. Leave the panels this way to be saved with a workspace in a later exercise. However, as with all other panels, you can move them to best suit your own work style. Here, you will experiment with moving these two panels.
When the Tools panel is floating, it can be a twocolumn vertical panel, a single-column vertical panel, or a single-column horizontal row. The Tools panel must be floating not docked to display horizontally. The Tools panel becomes one horizontal row. Click the double arrow again to return to the default Tools panel.
Release the mouse button to make the panel float. The configuration of document windows is not saved in workspaces. You cannot modify the provided workspaces, but you can save your own. In this exercise, you will save the panel customizations from the previous exercises.
In addition, you will customize the appearance of the interface. For example, you might prefer shorter menus for use on a smaller laptop screen, or you might want to streamline the commands available to a new user. You can save the menu customization with your saved workspaces. If necessary, select Panel Locations and Menu Customization. If an alert displays indicating that the workspace already exists, click OK to replace the existing workspace. Click this menu and select a different workspace.
When a document is open, the current magnification percentage is displayed in the Zoom Level box in the Application bar and next to the filename in the document window tab or title bar. A spread is multiple pages displayed side-by-side. Notice that a plus sign appears in the center of the Zoom tool.
You might zoom in on a text frame to revise text, for example. In this exercise, you will experiment with the Zoom tool. The view changes to the next preset magnification, centered on the point where you clicked. A minus sign appears in the center of the Zoom tool. See the sidebar on the next page for details. The percentage by which the area is magnified depends on the size of the marquee: the smaller the marquee, the larger the degree of magnification.
Press Option and hold: Zoom out from the center. Press and drag to the right: Zoom in. Press and drag to the left: Zoom out. Press Shift while dragging: Access standard marquee zoom.
As you work with InDesign, you will find that you prefer certain methods over others. Once you find a method you like, remember any shortcuts to make that method easier. For example, if you prefer to enter a page number in the Go To Page dialog box, memorize its keyboard shortcut. Navigating pages You can navigate document pages using the Pages panel, the page buttons at the bottom of the document window, the scroll bars, or a variety of other methods. The Pages panel displays an icon for each page in the document.
Double-clicking any page icon or page number in the panel brings that page or spread into view. In this exercise, you will experiment with turning pages. Click the down arrow, and choose 2. Click OK. In this exercise, you will experiment with the Hand tool. Introducing the Workspace Using context menus In addition to using the menus at the top of your screen, you can use context menus to display commands relevant to the active tool or selection.
To display context menus, position the pointer over a selected object or anywhere in the document window and click with the right mouse button or press Control and hold down the mouse button macOS. Note the available options; a partial list is shown here. The Type context menu lets you insert special characters, check spelling, and perform other text-related tasks.
Using panel menus Most panels have additional panel-specific options. Clicking the panel menu button displays a menu with additional commands and options for the selected panel. In this exercise, you will change the display of the Swatches panel. Drag the Swatches panel out of the dock at the right to create a free-floating panel. You can use the Swatches panel menu to create new color swatches, load swatches from another document, and more.
Note the other options on the menu as well. You can use any color theme that you prefer. You can customize the InDesign interface by changing the overall color, the way various tools work, and how the panels are configured through preferences. Some settings in the Preferences dialog box affect the application InDesign itself , while others affect only the active document. If you change the document-specific preferences while no documents are open, the changes affect all new documents without affecting existing documents.
Here, you will look at Interface preferences, which affect the application. Or choose the default, Medium Dark, again. Select various tools to learn more about them. You can use these panels to collaborate on documents. Introducing the Workspace Review questions 1 What are some ways you can change the magnification zoom level of a document? Review answers 1 You can choose commands from the View menu to zoom in, zoom out, fit the page to the window, and more.
You can also use the Zoom tool in the Tools panel and click or drag over a document to enlarge or reduce the view. In addition, you can use keyboard shortcuts to increase or reduce the magnification. You can also use the Zoom Level box on the lower-left corner of the document window.
For example, you can press V to select the Selection tool from the keyboard; press and hold the keyboard shortcut to temporarily select the tool. You select hidden tools by positioning the pointer over a tool in the Tools panel and holding down the mouse button.
When the menu appears, select the tool. You can also access type-specific panels from the Type menu. Drag the tab of any other panel into the tab bar of the new, free-floating panel.
A panel group can be moved and resized as one panel. This lesson will take about 60 minutes to complete. The building blocks of an Adobe InDesign layout are objects, text, and graphics.
Layout aids such as guides help with size and placement, and styles let you format page elements automatically. In addition, the postcard can be exported as a JPEG to use in email marketing. As you will see in this lesson, the building blocks of an InDesign document are essentially the same, regardless of the output media. In this lesson, you will add the text, images, and formatting necessary to finish the postcard.
You can leave this document open to act as a guide as you work. Viewing guides 1 Press and hold down the Screen Mode button at the bottom of the Tools panel, and choose Normal from the menu. Currently, the postcard document is displayed in Preview mode, which displays artwork in a standard window, hiding nonprinting elements such as guides, grids, frame edges, and hidden characters.
To work on this document, you will view guides and hidden characters such as spaces and tabs. As you become comfortable working with InDesign, you will discover which view modes and layout aids work best for you. The other modes are Bleed, for reviewing the predefined bleed area for objects that extend beyond the page boundaries; Slug, for displaying the area outside the bleed area that can contain information such as printer instructions or job sign-off information; and Presentation, which fills the screen and works well for presenting design ideas to clients.
Any layout aids previously enabled now display. You will now enable other layout aids. The guides do not print and do not limit the print or export area.
Be sure Hidden Characters is checked in the menu. Text can be contained in table cells and flow along paths as well. You can type text directly into a text frame or import text files from word-processing programs.
When importing text files, you can add the text to existing frames or create new frames to contain the text. From the Font Style menu, select Bold. Options for styling and placing text In the Essentials workspace, the Properties panel displays at the right to provide quick access to the most common text formatting options.
InDesign provides other options for formatting characters and paragraphs and for positioning text within a frame. When the text is almost final, they send the files to graphic designers. To complete the postcard, you will import a Microsoft Word file into a text frame at the bottom of the page using the Place command.
At the bottom of the Place dialog box, make sure that Show Import Options is not selected. The pointer changes to a loaded text icon. The text frames are outlined by light blue nonprinting lines. You will thread the two bottom text frames so the text flows through them.
At this point, text is still overset. You will resolve this problem by formatting the text with styles later in this lesson. Click in the text frame immediately to the right. You can select a paragraph by simply clicking in it, highlighting any part it, or highlighting all of it.
This automates common paragraph formatting, such as starting a paragraph with a drop cap followed by all capital letters on the first line. Character styles are generally applied to call attention to specific text within a paragraph. Paragraph styles specify formats such as alignment and basic character formats such as font and line spacing. A text inset specified for this text frame indents the text from the edges of the frame. Character styles specify variations from the character formats in the paragraph style.
You will now format the text with paragraph and character styles. You will first apply the Body Copy style to all the text in the two threaded text frames, and then you will apply the Subhead style to the box headings. Click the Paragraph Styles menu and select the Body Copy style to format the entire story. As you can see from the hidden character the paragraph return at the end of the line, this line is actually its own paragraph.
Therefore, it can be formatted with a paragraph style. To resolve this, click Clear Overrides at the bottom of the Paragraph Styles panel. You can then quickly apply the character style to other selected words. The configuration of your panels is largely dependent on the amount of screen space available. Some InDesign users have a second monitor for managing panels. Click the red swatch named Red-Bright to apply the color to the text.
Creating and applying a character style Now that you have formatted the text, you are ready to create a character style based on that formatting. This new style includes the characteristics of the selected text, as indicated in the Style Settings area of the dialog box. Character Style dialog box does not open immediately, doubleclick Character Style 1 in the Character Styles panel.
Because you applied a character style instead of a paragraph style, the formatting affected only the selected text, not the entire paragraph. For example, if a word is italicized, you would italicize a comma after it.
The key is to be consistent. Graphics used in InDesign documents are placed inside frames. Use the Selection tool to resize a graphics frame and to position the graphic within the frame. You will position the graphic in the upper-right quadrant of the postcard. In the Place dialog box, make sure that Show Import Options is not selected. You can also drag graphic files from the desktop onto an InDesign page or pasteboard.
If you click the page, InDesign places the graphic at full size, inside an identically sized graphics frame. In this case, however, you will scale the graphic as you add it to the page.
The resulting graphics frame will have the same dimensions as the graphic. Getting to Know InDesign 6 Drag down and to the right until the pointer touches the guide on the right side of the page.
You can use the scaling controls on the Properties panel and Control panel to precisely adjust the graphic size. You can crop the image by dragging any of its eight resizing handles. Use the Selection tool to crop a graphic by reducing the size of its frame. This constrains the movement to horizontal, vertical, and degree angles. If you click and pause briefly before resizing a frame with the Selection tool, or before moving the graphic within a frame, the cropped part of the graphic is ghosted but visible outside the frame area.
The eventual position of the graphic should be where you placed it in step 6. In general, you move and resize objects with the Selection tool. Objects can have a fill color background color and a stroke color outline or border , which you can customize by specifying the width and style.
You can move objects around freely, snap them to other objects, and place them with precision according to guides or values you enter. In addition, you can resize and scale objects and specify how text wraps around them. If necessary, scroll left to see the flower graphic on the pasteboard. You can view and change the reference point by clicking a box immediately to the left of the X and Y fields.
In addition, you can apply a fill or background color. The Direct Selection tool lets you select a single object within a group. You can also select a single object in a group by double-clicking it with the Selection tool. Click the Green-Dark swatch. Click the Green-Medium swatch. Getting to Know InDesign Working with object styles As with paragraph and character styles, you can quickly and consistently format objects by saving attributes as styles.
In this exercise, you will apply an existing object style to the two threaded text frames containing the body copy. For example, are all the lines in the document thick enough to print, and will the colors display and print properly? You will learn more about all of these issues throughout the lessons in this book. To customize Live Preflight, you can create or import production rules called preflight profiles against which InDesign checks your documents. The default profile supplied with InDesign flags 51 issues such as missing fonts fonts that are not active on your system and overset text text that does not fit in its frame.
This profile was supplied by the printer to ensure proper output. Using the Mailhouse preflight profile, InDesign finds errors, as indicated by the red Preflight icon , which displays in the lower-left corner of the Preflight panel. InDesign now reports No Errors in the Preflight panel and in the lower-left corner of the document window.
Viewing the document in Presentation mode 1 Press and hold down the Screen Mode button panel, and select Presentation. The document displays in its previous screen mode, Normal. This mode works well for presenting design ideas to clients.
Apply the object style to different objects. When you create a document following best practices, the document is easy to format, revise, and replicate consistently. Some of these techniques are listed here. Avoid stacking objects. Format one object rather than using multiple objects. A new user might be tempted to create this look by stacking multiple frames.
Using multiple objects creates extra work when moving, aligning, and formatting objects. New InDesign users are often tempted to place or paste text into separate, freestanding text frames. The text in these frames needs to be selected and formatted individually. InDesign provides styles for formatting objects, paragraphs, lines within paragraphs, characters, tables, and table cells.
With styles, you can quickly and consistently format everything in a document. In addition, if you decide to change a format, you can update the style to make a global change.
For example, in the postcard, if you wanted to change the font used in the body copy, all you would need to do is edit the Character Formats of the Body Copy paragraph style. Styles can easily be updated to reflect new formatting, and styles can be shared among documents as well. For example, if the document is missing a font, you will need to acquire that font before you continue working on the document. Review answers 1 You create text frames with the Type tool.
For example, if the selected profile specifies no RGB color usage but an RGB color or image is used in the document, an error is reported. Preflight errors are also reported in the lower-left corner of the document window. Create a new document and set document defaults. Lay out a master page.
Create an additional master page. Apply a master page to document pages. Add pages to a document. Rearrange and delete pages. Change the size of pages. Create sections and specify page numbering. Lay out document pages. Prepare artwork to print to the edge of the paper. Rotate a document page. This lesson will take about 90 minutes to complete. Note: If you have not already downloaded the project files for this lesson to your computer from your Account page, make sure to do so now.
Note: If an alert informs you that the document contains links to sources that have been modified, click Update Links. You will also lay out a pair of master page spreads. The Print, Web, and Mobile categories store document settings, called presets, that are appropriate for each purpose.
The presets store settings such as commonly used page sizes and different measurement units such as pixels for Web and Mobile. Your first choice to make is governed by the intent of your layout.
The Recent category stores your recently used settings so that you can use them again. The Saved category stores presets that you make. This feature allows you to store the setup for many different projects so that they are always ready to use. Examine the workspace. Notice the differences between this new document and the first one you created. For example, look at the colors in the Swatches panel and the units of measurement on the rulers.
For Intent, choose Print. In the Number Of Pages box, type 8. Make sure that the Facing Pages option is selected. Change the Horizontal and Vertical settings to Inches to follow along with the steps in this lesson. Note: You can use any supported unit of measurement in any dialog box or panel. If you want to use a measurement unit that differs from the default, simply type the indicator for the unit you want to use, such as p for picas, pt for points, cm for centimeters, mm for millimeters, and either in or " inch marks for inches, after the value you enter in a box.
Now you will create a preset for an eight-page newsletter. Part of the preset includes frequently used document settings, such as the number of pages, page size, columns, and margins. Make sure you have closed all files first. Type 1. Tip: The bleed values specify an area outside the perimeter of each page that is used to print design elements, such as pictures or a colored background, that extend to the edge of the paper.
The bleed area is trimmed and discarded after the printing process. Highlight or delete the text 0 in in the Top box of the Bleed option, and then enter 0p9 the picas measurement system. Press the Tab key and notice that InDesign automatically converts measurements expressed using other measurement units in this case, picas and points to the default equivalents in this case, inches. The default Bleed value is one eighth of an inch [. Creating a new document from a preset Each time you create a new document, the New Document dialog box lets you choose a document preset as the starting point, or you can specify several document settings, including the number of pages, the page size, the number of columns, and more.
InDesign creates a new document using all of the specifications from the document preset, including the page size, margins, columns, and number of pages. In the Pages panel, the icon for page 1 is highlighted, and the page number below the icon is displayed within a highlighted rectangle to indicate that page 1 is currently displayed in the document window.
The Pages panel is divided into two sections by a horizontal line. A master page is like a template that you can apply to any page in a document. Master pages contain elements, such as headers, footers, and page numbers, that appear on all document pages. The section below the line of the Pages panel displays thumbnails of document pages. If you press the Shift key when selecting a preset, the New Document dialog box is bypassed and a new document based on that preset opens.
If necessary, drag the bottom of the panel downward until all eight document page icons are visible. Master page icon Divider between master pages and document pages Document page icon Center line spine Letter of applied master page Even-numbered pages are to the left of the spine. We customize your eBook by discreetly watermarking it with your name, making it uniquely yours.
The 16 project-based lessons show readers step-by-step the key techniques for working with InDesign CS6. Readers learn what they need to know to create engaging page layouts using InDesign CS6. This completely revised CS6 edition covers the new tools for adding PDF form fields, linking content, and creating alternative layouts for digital publishing.
The companion CD includes all the lesson files that readers need to work along with the book. This thorough, self-paced guide to Adobe InDesign CS6 is ideal for beginning users who want to master the key features of this program. Readers who already have some experience with InDesign can improve their skills and learn InDesign's newest features. Everything you need to master the software is included: clear explanations of each lesson, step-by-step instructions, and the project files for the students.
Classroom in a Book offers what no other book or training program does—an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts. Page , Step 1: " I would like to receive exclusive offers and hear about products from Adobe Press and its family of brands. I can unsubscribe at any time.
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❿Adobe InDesign CS6 Classroom in a Book | Adobe Press. Adobe indesign cs6 classroom in a book pdf download free download
Adobe InDesign CS6 Classroom in a Book - Adobe indesign cs6 classroom in a book pdf download free download
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